Why I Am Crazy

Abstract

I don’t need to be diagnosed by a psychiatrist to know that I’m crazy. I already know I am a raving lunatic. First off, there is a history of mental illness (bipolar disorder, schizophrenia, autism, etc.) in my family and second, I understand the brain and know myself well enough to honestly realize that I got problems. I consider it both a curse and a blessing.

The Curse

It is a curse because, in its worst incarnations, mental illness is devastating. I am one of the more fortunate ones in that my condition is not as pronounced or as debilitating as it has been with some of my relatives. I can lead a quasi-normal life and make a living, even if I find it to be a royal pain in the ass. It’s hard for me to lead a normal life because I find it excruciatingly boring. My mind is always busy with things that have nothing to do with what I am supposed to be busy with at the moment. As a result, I tend to be distracted and I often miss important details about what is going on around me. Needless to say, this constant daydreaming can be disastrous at times but I can’t seem to shake it.

The Blessing

Sometimes I feel like the protagonist in Robert Heinlein’s Stranger in a Strange Land. For some reason, I got an insatiable desire to grok things. I feel blessed because it can sometimes lead to powerful insights. If I am interested in a subject, I will continually think about it and research it and I will not rest until I fully understand it. I keep mental notes of things that I don’t yet understand and I make it a point to think about them as often as I can. So if I figure certain things out, it’s not because I am smarter than anyone else, but because I meditate on them a lot longer than most people.

I Think About Strange and Crazy Things All the Time

My natural inclination to grok the world around me forces me to examine the foundational aspects of everything. I continually ask myself questions about the extreme fundamental underpinnings of reality. For example, I’ve been trying to understand why any given property of a particle (e.g., mass, energy, position or orientation) is what it is. I ask myself questions like, why does the mass (body) of a particle act like mass and not like kinetic energy? Or, using my seraphim terminology (see links below), what makes a wing a wing and not a face or a body? These are things that normal people never think about but I do. Why? Because I'm crazy.

Having long ago concluded that everything is necessarily made of nothing (otherwise, you run into an infinite regress) and that all particles and their properties sum up to nothing (a yin-yang universe), a new mystery immediately arose. There was no doubt in my mind that creation consists of separating opposite things out of nothing but I could not honestly accept the proposition that a property can mean something as opposed to some other thing while being nothing at the same time. After all, how can nothing be a property? It didn’t make any sense and the contradiction was driving me nuts (ha ha). So I kept thinking about it.

Eventually it grabbed me that one nothing is not enough to explain reality. The physical can have no meaning in and of itself. For anything to make sense, something else is required. I concluded that the materialists were wrong from the start: There is a yin-yang material realm for substance and there is another yin-yang realm for meaning. The two are opposite and complementary. It follows that particles and their properties have no meaning unless something gives them meaning. The meaning of physical properties is necessarily governed by something else. This is clearly indicated by the metaphor of the throne in John’s occult little book:

Rev. 4:6-8
Before the throne there was a sea of glass, like crystal. And in the midst of the throne, and around the throne, were four living creatures full of eyes in front and in back. The first living creature was like a lion, the second living creature like a calf, the third living creature had a face like a man, and the fourth living creature was like a flying eagle. The four living creatures, each having six wings, were full of eyes around and within.

In other words, the throne represents the realm of meaning, i.e., the realm that governs meaning for the sea of glass and the four living creatures. Of course, there were other thrones in John's vision_24 to be exact_but that's another story. Now that you know the extent of my craziness, whether or not you want to take my writings seriously is up to you. I am OK either way but I would be a little bit more careful about it if I were you. Don't trust what I say unless it makes sense to you. Oh, I almost forgot. Did I ever mention that I sometimes use pot to expand my thinking? Well, now you know. I am not only crazy, I'm also a pothead. ahahaha...

Related:

Nasty Little Truth About Matter
Physics: The Problem With Motion
Understanding the Lattice
Lattice Propulsion

Lattice Propulsion: One More Clue

Abstract

I know that some of you are conducting your own experiments at home based on what I have written so far. I realize that I may not have given you enough clues to work with. In Lattice Propulsion, Part IV, I wrote about the symbolic meaning of Ed Leedskalnin’s flanking stones at the Coral Castle. Here is something else for you to think about.

The Mystery of the Flanking Stones

The electrostatic field between two charged parallel surfaces consists of opposite-facing seraphim being emitted by the plates. The seraphim reaching the plates interact with the plate particles. The result is that forces are exerted, which tend to draw them toward each other.

A stone placed between the plates will experience no net force. I suggested previously that there is a symbolic similarity between the diagram above and Ed’s flanking blocks of stone.

Click to enlarge

Take another close look at the picture. Note that the horizontal parallel lines on the flanking stones are lined up on the right sides of the stones. In my diagram, by contrast, the left-pointing arrows on the right are depicted on the left side of the plate. Ed's flanking stones lack symmetry. This is significant, in my opinion. Ed was sending another subtle but important message to posterity. Keep in mind that the secret of stone levitation cannot be so simple that it could be discovered serendipitously. However, it should be simple enough that, once explained, almost anybody could do it, even ancient peoples. The Baghdad Battery is a case in point. That’s your clue for the day.

Am I Crazy?

Someone who wishes to remain anonymous wrote to ask me if I ever had a psychiatric diagnosis. In other words, he wants to know if a qualified doctor ever diagnosed me with any sort of mental illness. In short, am I crazy? That’s the topic of my next article.

See Also:

Physics: The Problem with Motion
Understanding the Lattice
Lattice Propulsion

I Can't Do It

Lattice propulsion is one big hot potato. I've been running a few nightmarish scenarios in my mind during the last few days and I've come to realize that, when it comes down to it, I’m just a chicken. I don't have the balls to publish my experiments. Besides, the way I see it, I am not the lord of the world and this knowledge does not belong to me. I have neither the authority nor the wisdom to do with it as I please.

A long time ago, the powers that be decided that it was wise to use obscure metaphorical texts to hide their powerful knowledge in plain sight. There their secret laid for centuries, safe from all those who would use it for evil. Their own worldview prevented them from suspecting that its existence could even be possible. In my opinion, the original knowledge givers are the true masters of their secrets. It is up to them to decide if and when the awesome power of the sea of glass and the seraphim should be released into the world. I am just another crackpot on the internet. Maybe someone else can do it but I can't. Sorry.

Lattice Propulsion, Part IV

Part I, Part II, Part III, Part IV

Abstract

In Part III, I wrote that Edward Leedskalnin’s real message in his book, Magnetic Current, has to do with electrostatic fields and one’s orientation relative to the absolute axes of the universe. I believe that the entire message that Ed was trying to convey is contained in the first sentence of the book. I think that the rest of the book may have been a diversion. I also explained the riddle of the Sphinx and mentioned that Ed left another important clue, a stone shaped like a right angle. In this post, I will go over the meaning of the right angle stone and a couple of other related things. If you have not already done so, please read Physics: The Problem With Motion, Understanding the Lattice and the first three parts of this article before continuing.

Ed’s Flanking Stones

The problem with creating an electrostatic field between two plates is that there are two poles, positive and negative. Positive seraphim flowing from one plate meet negative seraphim coming from the other plate and cancel each other out. That is to say, no net force is created on a stone placed in the middle.

Why is this a problem? It has to do with energy conservation. In other words, if the seraphim cancel each other out when they interact with the stone in the middle, where do their energies go? Before I answer this question, please take a good look at the picture below. It is an intriguing picture of a stone monument that Ed erected inside Coral Castle. Observe that the big 30-ton block sitting on the ground in the middle is flanked by two smaller blocks.

Click to enlarge

That is an interesting arrangement in its own right but what is even more interesting, in my opinion, are the horizontal lines on the flanking stones. Do you see the similarity between my diagram above and Ed’s blocks? Why would Ed place three blocks side by side when he could just as easily have placed a bigger block at the same spot? After all, if you can cut, lift and transport a 30-ton rock, how much more work would a 60-ton rock be? Ed was obviously sending a message. The symbolism of the structure is so striking that it seems to me that he must have understood a lot more about the underlying theory of levitation than can be surmised from his writings alone. It's either that or he was being directed by someone else. Who knows? There is much more to the mystery of Ed Leedskalnin and his castle than we can know for now.

The Right Angle Stone

When faced with a situation where the energy conservation principle is violated, nature must correct the violation somehow. (By the way, all conservation principles known to physics are derived from the mother of all conservation principles, the conservation of nothing. But that’s a topic for a future article). In this case, nature if forced to transform the seraphim in the counter-moving beams by transferring energy from one wing to another in order to eliminate the violation. The result is that the seraphim instantly change their movement and start moving in a perpendicular direction. If the seraphim were moving in a trajectory parallel to one of the absolute axes of the universes, nature has only two other perpendicular directions to work with, owing to the finite number of wings and the restrictions imposed on seraphical movement (see previous post). There is no reason to prefer one to the other. So nature chooses them at random, which means that, on average, the net effect is nil. The important thing to note about all of this is that the seraphim must do a 90-degree turn. I believe that this is part of the symbolic meaning of Ed's right-angle stone perched on a pedestal on top of the 30-stone block. The key to levitation is to come up with a way to force nature to do your bidding. Ed's right angle stone is an important part of the secret.

Lo que será, será

Whatever will be will be. At this point, it would be impossible for me to write another post on this subject without revealing the full secret of lattice propulsion (and stone levitation), a secret that was known to Ed Leedskalnin more than half a century ago, and to a select few in ancient times, a secret that will shake the world in more ways than one. I am very much aware of the possible consequences of unleashing this knowledge into the world and, frankly speaking, I am rather scared. I am scared for myself because a) I neither want nor need the publicity and b) this is the kind of stuff that brings out the evil in men. I am scared for humanity as well because, letting this knowledge loose into the world will be highly destabilizing, to say the least. But then again, I am just a raving lunatic, so I don't really know for sure what will happen.

U Can’t Touch This

That being said, something keeps telling me that all secrets are uncovered sooner or later and that this may be the right time for the ancient and powerful secret of the sea of glass and the six-winged seraphim to come out. If not, then I would not be able to reveal it even if I tried with all my might. I am planning a demonstration at a time and place of my choosing (soon, I hope). I cannot publish the experimental setup until after the demo. Why? Because I have noticed a tendency within the physics community to claim that they already have a theory for something even when the historical evidence squarely contradicts them. It's the "we knew it all along" syndrome. Someone wrote to tell me that physicists are way ahead of me and that they already know all about the lattice. They even have a name for it: the zero-point energy field. Ok. Whatever. What I really want to do is to demonstrate the levitation technology based on the hypothesis that I've tried to explain in these articles and then issue a challenge to the physics community to duplicate it. The name of the challenge will be “U can’t touch this”, following on a theme made famous by the M.C. Hammer song of the same name. In other words, the challenge will be, can your physics do this?

We are living in exciting times. Hang in there.